I've just started trying to see if I can adapt songs to the boogie woogie style, and I'm noticing there is a choice of how fast to play boogie relative to the melody. I guess I'm wondering if there's a terminology for referring to this difference.
What I mean is that you can double (or halve) the tempo of the boogie while leaving the tempo of the melody unchanged. (Or conversely, you could double/halve the tempo of the melody while leaving the tempo of the boogie unchanged.) For example, say I try to play "Leaning On The Everlasting Arms". The first phrase "What a fel-low-ship" could fit in one bar (and be counted 1, 2, 3&, 4), or it could take two bars (and be counted 1, 3, 1, 2, 3). If I play the former at 80bpm and the latter at 160bpm, then the melody proceeds at the same tempo. (A third option would be to sing "What a fellowship" in 1 bar at 160bpm, making melody twice as fast as the first two options.)
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Joel, this is an excellent observation and one that, I'm sure, everyone will eventually encounter at some point in their playing career. You are tackling it correctly by adjusting the tempo of the bass to fit the "normal tempo" of the melody. Another thing to consider is that not every "boogie" or "blues" LH pattern is as busy as others. One strategy to use is to start with a more sparse LH pattern, like 1/4 note walking, the stride style "oom-pah" rhythm, or even the "Yancey bass", and then progress to an 8-to-the-bar boogie feel later on to give the song some direction and climax. Just something to keep in mind as an option. Keep up the good work and feel free to post an example of you playing in the "feedback" section of the forum.